The Jess Roden Band - A Recording, Concert & Radio / TV Sessions schedule

(NB - this is very much a work-in-progress page)

1974

August
27th – BBC Session - Langham 1 (studio); produced by Tony Wilson - four songs, three of which were taken from JR's first solo record; What The Hell, Reason To Change, Feelin' Easy and Live, Love And Learn. The BBC session notes show that the session was listed as Jess Roden with Iguana (henceforth to be known as The Jess Roden Band)

September
10th – The first JRB BBC session is transmitted on the John Peel Show
13th – Portsmouth - Guildhall (opening for Procul Harum)
18th – Lyceum Ballroom, London - the show was recorded on the Island Mobile with Brian Humphroes engineering, assisted by Bryan Pickering and Rod Thear
19th – Oxford - New Theatre (opening for Procul Harum)
20th – Bristol - Colston Hall (opening for Procul Harum)
27th – Stoke - Trentham Gardens (opening for Roxy Music)
28th – Birmingham - The Odeon (opening for Roxy Music)
29th – Birmingham - The Odeon (opening for Roxy Music)
30th – London - The Marquee

October
12th – JR's first solo album is released.
23rd – Glasgow - The Apollo (opening for Roxy Music)
24th – Glasgow - The Apollo (opening for Roxy Music)
25th – Glasgow - The Apollo (opening for Roxy Music). Roxy Music's drummer, Paul Tompson, trashed his kit the previous night and used Pete Hunt's for this second show in Scotland
26th – Glasgow - The Apollo (opening for Roxy Music). The Glasgow Apollo is (or rather was) one of Britain's legendary concert halls - one of the very few venues worthy of that nom de plume. It was named after the equally legenday building on Harlem's 125th Street and, having originally opened in 1927 as Green's Playhouse, was the biggest cinema in Europe with a capacity of 4,000. However, on June 12th, 1967 everything changed when one of the seminal package tours reached Glasgow's Playhouse - on stage that night were: Jimi Hendrix, Pink Floyd, The Move, Amen Corner and The Nice. Before too long, projectors were replaced with amps, speaker-stacks and sweating roadies yelling 'one, two; one, two' at soundcheck from atop the highest stage in the UK - it was a sixteen foot drop into the stalls. The first act to play there under its new name was Johnny Cash - the final one was the mod-meister in one of his mid-period incarnations as The Stle Council, dateline 16th June '85… legend has it, that after that gig, fans stayed behind removed anything they could lay their hands on which wasn't bolted down (including radiators).
27th – The transmission date for the BBC's Sounds On Sunday - during which the JRB played Sad Story, I'm On Your Siide, Feelin' Easy, Live Love And Learn as well as Get Ta Steppin - the latter being a highpoint of their live set at the time. The set was recorded at the Hippodrome in London (precise date unknown - tho', in all probability, the 22nd - since, generally speaking BBC pre-records were undertaken a week in advance). This set is available via streaming (not downloadable) at Wolfgang's Vault http://www.wolfgangsvault.com

November
3rd – Basing St - sessions with Rhett Davies engineering and Dick Cuthell as tape-op laying down band versions of two tracks from JR's first solo album, Sad Story and What The Hell

December
8th – London - The Roundhouse with The Sutherland Brothers & Quiver and Tim Rose
10th – London - The Marquee

1975

January
12th – Recording sessions at Island Hammersmith studios - The Fallout Shelter - with Diga (Richard Digby-Smith) engineering and Dick Cuthell as tape-op. Dick, of course, would - in time - go on to become an integrap part of Specials as well as adding his trumpet / cornet and flugelhorn skills to inumerable other recordings. Songs laid down included Send It To You and Don't Let It Die
21st – Recording at The Fall Out Shelter again - with a number of new tunes being worked on including Don't Let It Die and Love Is All I Have

February
2nd – Sessions at Mayfair Studios with Geoff Haslam producing - songs include Honey Don't Worry and a version of Desperado

March
8th – The first takes of Rat Race are put down at The Fall Out Shelter
10th – Back to The Fall Out Shelter with Diga and Dick Cuthell
14th – The JRB release Under Suspicion / Ferry Cross

April
4th - Recording date for the JRB's second BBC session - this time at the BBC's Maida Vale Studio 4 but, once again with Tony Wilson producing. The band played four songs - Lies, Honey Don't Worry, Under Suspicion and What Took Me So Long. By this point, Billy Livesey was an integral part of the JRB
7th – The Fall Out Shelter once more and Work Out and Spanish Eyes are demo'd

May
1st - Transmission date for the second JRB session on the John Peel Show

June
7th - Geleen (Holland) - The Pink Pop Festival with Little Feat, Uriah Heep, The Outlaws, Streetwalker and The Chieftains

July
3rdLive Love And Learn is recorded at The Fall Out Shelter

August
15th - Orange (France) - while the JRB are in Europe, strings are added to Honey Don't Worry at Basing St - Steve Smith producing with Phil Brown engineering and Barry Sage as tape-op
25th - London - The Roundhouse with The Edgar Broughton Band and Chilli Willi & The Red Hot Peppers
27th – Theale - still unhappy with the results (thus far) for Honey Don't Worry, the Island Mobile sets up shop at Woolwich Green Farm (Chris Blackwell's home) and the track is cut once again.

September
27th – The Fall Out Shelter once more and... another four takes of Honey Don't Worry are in the can

October
13th – At The Fall Out Shelter and Raise Your Hand, Can't Stand The Rain, Let It Roll, are all mixed by Geoff Haslam
16th Every Time A Man Gets Lonely is demo'd at The Fall Out Shelter and Desperado is laid down
22nd You Can Leave Your Hat On is completed at The Fall Out Shelter

November
2nd – Basing

December
10th – Mixing is underway and Mama Roux, Too Far Gone, and This Wheels On Fire are all completed - the latter won't make it onto the first JRB album
21st – Aylesbury - Friars

1976

January
27th – At The Fall Out Shelter, I'm On A Winner With You is laid down

February
2nd – The final mix of You Can Leave Your Hat On is completed at Mayfair Studios by Geoof Haslam with Trevor Vallis engineering

March
18th – BBC Session at Maida Vale, Studio 4. Four songs recorded - Blowin', In A Circle, You Can Leave Your Hat On and On A Winner With You.

April
1st – Transmission date for the BBC session recorded the previous March

May
18th – London - The Marquee - support act was Under The Sun
19th – London - The Marquee - this night was recorded on the Maison Rouge mobile
20th – London - The Marquee - this night was also recorded on the Maison Rouge mobile
22nd – Colmar - Parc des Expositions (opening for The Who)
25th – Lyons - Sports Palais (opening for The Who)

June
4th – Basing St

July
31st – Crystal Palace Bowl - with Eric Clapton, Freddie King, Barbara Dixon and The Chieftains

August
26th – Pinewood Studios - the JRB camp out for a week; the stage is set up so as to replicate a live gig and, with the Island Mobile parked at the back of the lot, basic tracks for their second album are worked on. AS JR recalls - Touring was turning out to be a great success both in the UK and also parts of Europe (particularly Holland) but for some reason, that success was not translating into huge record sales and so, it was decided that maybe if we recorded at a soundstage and set up like a live show, we would best capture what it was that made our live performances so successful. On one of the soundstages, we set up the equipment the same as at our gigs (except with baffle boards around the drums and amplifiers). We would run through the tunes (for a soundcheck) and then around six in the evening, eat, drink, smoke, whatever - and then record a performance of three or four tunes back to back and maybe do that twice over.
27th – Pinewood
28th – Pinewood
29th – Pinewood
30th – Pinewood
31st – Pinewood

September
1st – Pinewood
2nd – The final sessions with Geoff Haslam at Pinewood - ultimately, nothing worked as it was hoped it might and so... its back to the drawing board (or more accurately, Basxing St and The Fall Out Shelter). In essence, it was a good idea - but it didn’t really work and I’m not entirely sure why. Perhaps it was something to do with the lack of an audience to raise the game for - and/or, real discipline, because when we shifted to Basing Street and then St Peters Square to record the same songs, everything came together really well and really fast.

October
1st – Basing St

November
5th – Newcastle - Mayfair
12th – Bournemouth - Winter Gardens
20th – Leicester - University
30th – Birmingham - Town Hall

December
1st – Stoke - Kings Hall
7th – BBC Session recorded at Maida Vale 4 with Jeff Griffin producing and Mike Robinson engineering.
17th – BBC Session transmits - unfortunately, no record remains of what the band played.

1977

January
27th – At