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Baja Bus - The Butts Band: In 1973, Jess teamed up with John Densmore and Robby Kreiger to form The Butts Band. Densmore and Krieger were, in effect, attempting the impossible - trying to find a replacement for the Doors' late Jim Morrison. By the time they'd met Jess, they had already auditioned several singers, among whom were Kevin Coyne (then of Siren) and Howard Werth (of Audience). Indeed, Werth rehearsed with the pair for a week – and, alledgedly, Jac Holzman favoured Howard taking over the slot as he had once imagined that Audience would fill The Doors own spot on Elektra. Audience were falling apart as a band and Werth (potentially) merging to create a 'new' Doors' had some logic behind it, in the end it wasn't to be as Ray Manzarek upped sticks and returned to L.A – effectively ending The Doors, per se, as a band for all time. As Robby Krieger points out, "Before An American Prayer, we did two albums as the Doors, Full Circle and Other Voices, which were fairly well received albums." "But the problem was after Jim had gone, the three of us couldn't get along anymore. We did for a while but after a while, it got very strange. We all decided to go to England and maybe find a singer over there. So we all went over there, kind of moved over there. Then Dorothy, Ray's wife, got pregnant and she had gone through some weird stuff. So Ray decided to go back home". Densmore and Krieger hung on… and hung out some more staying at an hotel on Park Lane. David Harper had been The Doors' tour manager and when R and J told him they were looking to start up a new band and would like a British singer, it was Harper who suggested they try me out.Harper was, at that time, juggling both tour management duties as well as f.o.h sound for a number of acts; he was also involved with Traffric and would later go on to either manage or co-manage Robert Palmer, UB40 and Ephraim Lewis. He also did f.o.h. sound when Bob Marley's seminal Live At The Lyceum album was recorded, that July day in the steaming hot summer of '74 when Arthur Ashe became the first black tennis player to win Wimbledon. I went and met them at their hotel and we talked and I was immediately taken with them as really down to earth, nice guys. They said that The Doors had pretty much run its course and that Ray Manzarek had had some kind of problem and had gone back to LA and he probably wouldn't be part of the new set up.So... did I know any good bass players? Actually... several, but mostly it was Philip Chen for me at that time and so I suggested him. Phil was mainly doing session work then and was happy to join in. Plus he and I had also worked together with Pete Townsend and The Who on the soundtrack for the film version of 'Tommy'. R and J had set up some equipment at a fine house in the Hampton Court area - it had a fairly large annex that the then owner hired out as a rehearsal studio. The house was, in fact, Garrick Cottage - once owned by the English actor, playwright and theatre manager (notably Theatre Royal, Drury Lane) David Garrick (1717-1779), a friend of Dr Johnson and a seminal figure within 18th century theatre. The main house was Grade 1 listed (in other words of extreme historical significance) but - and long after the fledgling Butts Band had moved on - was badly damaged by fire in October 2008. The four of us went there over a number of days and jammed on some James Brown stuff and other soul classics. It all sounded pretty good although also, quite unusual.Robbie's main influence and passion was flamenco guitar, John played in a jazzy style with plenty of cymbal work and subtle bass drum, Phil was pure motown/funk. It was decided that a keyboard player would add spice to the mix and so Phil called up a friend that he frequently worked with. Roy Davies (sadly, now deceased) agreed to join in. Roy played Fender Rhodes, Hammond organ and, an ARP synthesiser that looked pretty much like what I imagine a 1950's telephone exchange would look like - all wires and knobs. Davies' own pedigree included work on a number of recordings by Freddie Kinbg, Doris Troy, Gonzalez and Maggie Bell. Before his untimely death, he would also work with Elton John, Madness, Dr Feelgood as well as guest on other of Jess' records. We continued to rehearse for the next couple of weeks - mostly soul covers but with a couple of our (and my) own compositions. Then together with wives, girlfriends etc we all flew to Jamaica - Dave Harper was 'Main Man' of the touring party.I think that Robbie and John wanted to create a casual atmosphere for all of us (they succeeded) - we stayed in little cottages in a holiday complex in Ochio Rios for two weeks. We would swim and play frisbee etc first thing in the morning then write and rehearse in the afternoon and early evening. It was very relaxed and, very productive. On our last day at the complex, we set up our equipment and gave a concert to the people who had looked after us for the two weeks. It was great fun and a good way to break in the songs we'd written. Next day we decamped to Strawberry Hill (CB's house atop the Blue Mountains). In fact, it was pretty scary getting up and down from there in a VW camper van that was driven full throttle around, and over all obstacles. Its about an hour's - uphill - journey from Kingston via exceedingly twisting and narrow roads before one reaches Strawberry Hill - set high into Irish Town in The Blue Mountains. This, extraordinary mountain-top haven began life as an 18th century coffee plantation that was originally deeded by the British Royal Family to Horace Walpole. Indeed, his name is synonymous with the house of the same name in Twickenham, just west of London - after which this estate took its own name. Blackwell, himself, acquired the house in 1972 - and it was here that Bob Marley was transported - amidst great secrecy - after being wounded in the December 1976 assasination attempt just two days prior to "Smile Jamaica" - a free concert organized by the Jamaican Prime Minister Michael Manley in an attempt to ease tension between two warring political groups. The show went ahead to 80,000 people with Bob backed by Zap Pow since members of The Wailers were either in hiding or, simply, missing. Robbie Krieger again - "We recorded half of the record in the U.K. and half in Jamaica which Phil helped with because he is from there and he was able to visit his mother and father for the first time in ten years". The album was recorded in downtown Kingston - Jimmy Cliff was recording in the adjoining studio. Bruce Botnick, from California, flew in and was the recording engineer and producer for the project.It took just a week to record all of the tracks - so then we all headed to our respective homes (California and England) for a bit of a nap. After this short break, we all got together again in Los Angeles a couple of weeks later and began adding a few overdubs and mixing. Everything went pretty well and the band existed in a cool and relaxed atmosphere. I remember one evening spent with John Densmore when he and I went to a little bar/club up in Topanga Canyon and ended up jamming some blues with, (I'm pretty sure), Bob Hite of Canned Heat - I played drums! When the mixing was done, Abe Summers who had been The Doors' lawyer, started to place the album with various record companies. Of course, I was still signed to Island, so I can't imagine the manouvering that went on behind the scenes so that all parties agreed. In any event, Blue Thumb records picked up the album and that was just alright with Island. Blue Thumb Records was the idea of Bob Krasnow. He'd cut his teeth out on the road with James Brown before running King and then Kama Sutra Records. Krasnow recruited two key players from A&M - producer Tommy LiPuma and marketing man Don Graham, and, an entirely 'different' record label was begun. The label's name actually came by way of Captain Beefheart; he was planning on calling his new blues band Blue Thumb but... Krasnow talked him out of it for the band... telling Beefheart he'd like it as the name for his label. Krasnow and company located the label's offices in Beverly Hills, making it the first upscale quasi-alternative music label and, in many senses, a mirror to Island in the UK. In addition to the music, Blue Thumb deliberately packaged their albums to appeal to the targeted buyer. For example, many had fold-open or gatefold covers, and the graphics were never entirely predictable. Probably the most famous album packaging of their time was the Dave Mason album Alone Together, (BTS 19) which was issued in a three-fold "kangaroo pack". This opened up to become a poster for wall hanging (it even had a small hole in the top for the nail). At the bottom of this poster was a pouch for the record album, which - clearly - was meant to be viewed as well as heard. Indeed, the record itself was unique - in the very literal sense of the word; it came pressed as a marbled vinyl and this was made by the manufacturer's dropping coloured pellets into the hot vinyl mix - the result being that the colour pattern of every single piece of vinyl produced was different. However, while unique... not entirely cost-effective. Island had a particularly loose licensing arrangement with Blue Thumb - only a handful of releases were given the coveted ILPS prefix - besides The Butts Band, records by Dan Hicks & His Hot Licks, The Crusaders, Phil Upchurch and National Lampoon's recordings were among the few. I had the idea for the name and also the album cover.The name came from a street in Kidderminster (The Butts). Half way up The Butts - it was a bit of a hill with a rock on one side - there was a urinal carved like a cave into the rock and, one of my songs on the unreleased album that I made with 'Rabbit' was called 'The Old Butts Cave-house Band'. Robbie and John explained to me what a Butt was in America - doh! - but, they liked the name and thought it to be pretty radical. We then did all the photo shoots and other 'stuff' that tended to happen around the release of a record then. The US release party was held in a very upscale restaurant in Beverley Hills where, as some form of a (weird / of the time, maybe?) promotional exercise, the label had three naked male streakers rush around the restaurant with the band's name inked across their buttocks. We also did a spot on a TV show 'The Midnight Special', hosted by the legendary Wolfman Jack - after which, we all headed to our respective homes (California and England) for another bit of a nap and I did some more session work in London.The Wolfman (born plain Robert Smith) was, quite simply, a cornerstone of (American) rock history; over time becoming one of the most influential DJ's of the sixties and seventies while also hosting The Midnight Special on NBC for nearly nine years with other of his shows being networked throughout all of North America. The gravel-voiced DJ spun his last in 1995. Later in the year, Jess, Phil and Roy set off for Los Angeles, once again. This time, full-scale band rehearsals were on the menu since this'd see the first proper outing of... The Butts Band. We rented an apartment just off La Cienega Blvd and rehearsed pretty much every day for a couple of weeks and then hit the road.The gigs we did were mostly clubs that held a couple of hundred people but it was all great fun and we were a really good little band! And, I suppose we must have toured all over the country for about a month. When touring was over, we all headed to our respective homes…… The English contingent, Roy, Phil and I, were always pretty homesick in LA and I suppose, ultimately, the pace of the whole thing being so casual, was the reason for the split. Krieger concurs - "Then we came back to Los Angeles and we couldn’t hold the band together because half of them lived in England and half of us lived here. They got homesick and stuff didn’t happen as soon as we had hoped”. Although it was a good little band - both socially and musically - there really seemed very little ambition to make it more than that. The Butts Band did, in fact, record just the one more record - although with an entirely different line-up. The album was called Here And Now and featured Karl "Slick" Rucker (bass), Mike Stull (vocals) and Alex Richman (keyboards). Not long after, they disbanded for good. Meantime... Jess was back in London by the end of the year. He and CB hooked up, dusted down the old tape-boxes that had been gathering dust on the shelves in the tape-store at Basing Street and... started to make proper plans for his first solo record. All Editorial © 2009 / 2010 www.jessroden.com & Neil Storey. All Rights Reserved |
![]() ![]() Dave Harper ![]() ![]() Robbie Kreiger - Garrick Cottage ![]() ![]() Strawberry Hill ![]() ![]() John Densmore - Topanga Canyon, LA 1973 ![]() Wolfman Jack ![]() ![]() Dynamic Sound Studios, Kingston Jamaica (photo Shaun Roberts) ![]() Dynamic Sound Studios Interior, Kingston Jamaica (photo Kensey Lamb) |
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